Magic Bullet Denoiser III runs in a variety of host applications. Edges are regions of your image where this is a sharp contrast between light and dark color values. Radius: Affects the radius of sharpening that is performed on the edges of your subject.Sharpen helps bring some of the lost sharpness back into your footage after the Denoising pass has been completed. Amount: Reduce Noise can blur your footage at higher settings.Increase this value to restore detail in your footage. Preserve Details: This operates after Reduce noise in order to bring back detail that may have been lost by high levels of noise reduction.Smooth Colors: Smooth colors will specifically target color noise found in your footage and work to blend that noise together.Turning this up will require a bit more rendering time as it's removing more noise from your footage. Reduce Noise: This is the master control to adjust how much Noise is removed from you footage.There are also controls for fine tuning if you need them. Just apply Denoiser II, and the default settings usually do the job.

Denoiser gets rid of that without removing detail. Shooting in low light or at high ISO’s can add a lot of noise to your footage. That option is down on the audio tracks in the timeline panel.Denoiser III has been rewritten entirely from scratch to give you the best, fastest, and most reliable video denoising experience available. You can also keyframe effects on the timeline by setting the track display to 'show track keyframes'. You can do this while your timeline is playing to hear the results. After adding an effect to a track, right click on it and choose 'edit' to make adjustments. There you can pull down a list of all of the audio fx to apply to each track. Use the toggle to expand the mixer panel to show the fx bus. At the top left of the mixer panel UI is a triangle toggle like the ones on all of the bins in Premiere's UI.

Open the audio mixer panel and you should see a slider there for each track and a master. The effect will apply to everything on that audio track, and I've found that it gets rid of the delays and oscillations of the Denoiser effect lots of times. If the noisy clips are the only thing on that audio track, you can add the Denoiser effect from the audio mixer panel rather that applying it to each clip.

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